Elliot Erwitt's nom de plume, André S. Solidor, is all about the gratuitous and over-the-top, with the same tongue-in-cheek humor that is applied to Erwitt's more traditional work.więcej »
Women and men – strong, proud, tragic or beautiful – from the heyday (1765–1865) of Japanese printmaking are this book’s subject. It seeks to dig below the surface of the pr...więcej »